
Kiki Smith, Meat Arm, bronze, 1992

Kiki Smith, Meat Arm, bronze, 1992

MARINA ABRAMOVIC

Jo Spence, Narratives of Dis-ease: Included, 1990, Collaboration with Tim Sheard, Colour photograph, 63.5 x 41 cm
Jo Spence, Photo Therapy: The Bride (with Rosy Martin), 1984–86
Jo Spence Rosy Martin, and Rick Miller, Photo Therapy: Work on Emotional Eating (with Rosy Martin), ca. 1990, chromogenic colour print.
In Memory of Alice Alsup, 1990-2014
Her heart was paired with
a strained will, itself itself,
looking for bits of water.
Her heart rang blooms
from witted country dust.
Born, Texas, from scoria
of course, no more
than flower-trash found
wilting in the void.
Totaled in absolution.
Those deep roots alone
might stand all lonesome,
swimmingly, across
some plank-skied wharf
that has never sought
anything but daydreams,
pressed bulbs, full of sea.
Dry it rams in streamings
through Texas, now brined
and sickened, flank of water.
–It is mimed –You, mine.

Gina Pane, Action posthume de l’action Death control (1974), Collection

Jo SPENCE, The Final Project [Small skeleton 1], 1991 – 1992, Collaboration with Terry Dennett, Digital print from medium format negative, 55 x 79 cm

Gina PANE, Action II Caso no 2 sul ring [Action The Case n.2 on the ring], 1976, Each photo initialled and numbered in sequence with 20 preparatory drawings, 5 framed panels comprising twenty colour photographs with two paper sheets of handwritten text, unique, 1 panel 70 x 46 cm; 4 smaller panels 70 x 30 cm. Overall dimensions 70 x 180 cm

Charles Ray, Bench, 1974, Photo and wooden plank

Birgit Jürgenssen

Matthew Barney
Field of the Ascending Faerie from Cremaster 4, detail 2002
Production photo © Matthew Barney; courtesy Barbara Gladstone Gallery