Joseph Cornell, They Say the Owl is a Baker’s Daughter/Ophelia, Collage on Paper
Anselm Kiefer, Palmsonntag, 2006. Mixed Media, 215 x 141 x 11 cm.
De Lama Lamina: Oxria d Ferro, Matthew Barney; 2005
(Oxidized iron powder, petroleum jelly and graphite on embossed paper in a self-lubricating plastic frame)
Anselm Kiefer, Palmsonntag, 2006. Mixed Media, 215 x 141 x 11 cm.
Judith with the Head of Holofernes, c. 1635-50
Pietro della Vecchia (Pietro Muttoni)expand_more
Oil on canvasexpand_more
Fiona Apple: “Werewolf”
Installation view of Matthew Barney: RIVER OF FUNDAMENT, September 13, 2015 – January 18, 2016 at The Geffen Contemporary at MOCA, courtesy of The Museum of Contemporary Art, Los Angeles, photo by Fredrik Nilsen
Jo SPENCE, 1934 – 1992, The Final Project [Specimen Jars], 1991 – 1992, Collaboration with Terry Dennett, Positive digital print from 35mm colour negative59 x 89 cm, Edition of 2 plus 1 Estate Copy
anne carson from red doc>
Jo Spence and Terry Dennett, The Picture of Health?, 1982-86
Doug Aitken, low Debris, 2000. Colour film transferred to 9 channel digital video installation, colour, sound and architectural environment, 21 min. cycle.
Little Bristling Soul 