
Kiki Smith.Three, 2008, 80 x 101 in., Collage and ink on Nepal paper
and
Kiki Smith, Fallen Chair, collage and ink on nepal paper

Kiki Smith.Three, 2008, 80 x 101 in., Collage and ink on Nepal paper
and
Kiki Smith, Fallen Chair, collage and ink on nepal paper
Everything Important
happens behind my back.
Water lilies open, then close.
Nations are born. Friends up and leave
their sturdy bodies. The stonechat takes flight.
A son learns to whistle. A daughter finds
the greatest common factor, then falls
in love. One morning the leaves
are off the elm and halfway down the block.
And in the spring, however faithfully I check
for the first bloom along the secret alley
of camellias, I will be looking away,
will see them only once they’re a jostling palaver
of pink and white, so impossible a brightness
I will forget to be disappointed.— Catherine Abbey Hodges, Instead of Sadness

Felix Gonzalez-Torres exhibit at Shanghai Museum of Overseas Art in RAM

Felix Gonzalez-Torres (American/Cuban, 1957–1996), No title , ca. 1989, ink and polaroid print, mntd, Size:10.5 x 13.3 cm. (4.1 x 5.2 in.)

Kiki Smith, Trinity Heaven and Earth, 2000, etching

LOUISE BOURGEOIS
Metamorfosis VI (Deluxe), 1999
Art Form Limited Edition Print
Medium Etching
Size in cm 42 x 38
Size in inch 16.5 x 15
Kiki Smith, Banshee Pearls, 1991, Lithograph with aluminum-leaf additions on twelve sheets of handmade Japanese paper, each sheet approx. 22 ¾ x 30 5/8" (57.8 x 77.8 cm); sheet: (irreg) each sheet approx. 22 ¾ x 30 5/8" (57.8 x 77.8 cm)

Kiki Smith, Untitled (Negative Legs), 1991, screenprint on Indian paper

Francesca Woodman