Jana Sterbak, Remote Control 1, 1989, installed at New Museum, NY, 1990

GINA PANE
Action Psyché

Felix Gonzalez-Torres

Mary Kelly, Gloria Patri, 1992, detail (one of five shields)
“The dramatically-lit shields, trophies, and discs of Gloria Patri initially present riddles of texts taken out of context, narratives about the physical fitness of women. But what we are seeing here are actual media reports of battle from the war in Iraq in the early 1990s, etched onto the surface of these objects polished to a super-flat metallic shine. In a parody of the way masculinity is defined and displayed, and as part of the artist’s ongoing interrogation of gender politics, Gloria Patri considers the consequences, for women, of adopting the masculine ideal.“
–Art Basel

Callum Morton, Cellar, 1998, wood, motor, lights, sound and acrylic

Damien Hirst, Lost Memories and Dreams Forgotten, 2008 – 2009D, diptych, each: 1829 x 2743 x 102 mm | 72 x 108 x 4 in, Glass, stainless steel, steel, aluminium, nickel and cubic zirconia

Kiki Smith, Les creatures volantes (set of 6), 1998
Because you asked about the line between prose and poetry
Sparrows were feeding in a freezing drizzle
That while you watched turned into pieces of snow
Riding a gradient invisible
From silver aslant to random, white, and slow.There came a moment that you couldn’t tell.
And then they clearly flew instead of fell.

Untitled, 1991 (waves reflected in water Offset Poster/Print by Felix Gonzalez-Torres)

Felix Gonzalez-Torres



