Hannah Wilke, Intra Venus series triptych , 1992-93.
Kiki Smith
Light Field
2010
Lithograph, ink on Nepalese paper with colored pencil
Lithografie, Tinte auf Nepalpapier mit Buntstift
198 x 198 cm
Nancy Spero
Victim – B52- Eagle
1970
gouache, ink and collage on paper
Gouache, Tinte und Collage auf Papier
109,2 x 71,1 cm
May Jailer (Lana Del Rey) | Bad Disease
Her voice is heavenly.
Bonnie Collura, Sleeping Death (Martyr Yellow), 1997, plaster, gauzing, foam, 78×58×51 inches. Courtesy of Basilico Fine Arts.
Tracey Emin.
Love me-me-me.
1997.
Mona Hatoum (Beirut * 1952)
DEEP THROAT, 1996, Video installation with table, chair, tablecloth, glass, plates, cutlery, monitor and DVD player, Installation: 85 x 89 x 130 cm, duration of the film: 5:15 min, loop (object) Tablecloth 2 84 x 82 cm (object) Tablecloth 1 152 x 152 cm (object)
Louise Bourgeois: Me, Eugénie Grandet. : Courtesy Cheim & Read, Hauser and Wirth, and Karsten Greve Gallery
Bhanu Kapil from Ban en Banlieue (Nightboat Books, 2015)
If a man is not willing to break patriarchal rules that say that he should never change—especially to satisfy someone else, particularly a female—then he will choose being right over being loved. He will turn away from loved ones and choose his manhood over his personhood, isolation over connectedness.
bell hooks, The Will to Change: Men, Masculinity, and Love (2004)
Daniel Shea
CHARTA
Carol Rama
Artwork by Carol Rama. Contributions by Rudi Fuchs, Paolo Fossati. Text by Maria Cristina Mundici.
Little Bristling Soul 