
Hannah WilkeI, Intra-Venus Face, 1992, watercolour on paper, Paper size: 31.8 x 24.1 cms / 12.5 x 9.5 ins , Hannah Wilke Collection & Archive, Los Angeles. © Marsie, Emanuelle, Damon, and Andrew Scharlatt/VAGA, New York/DACS, London

Hannah WilkeI, Intra-Venus Face, 1992, watercolour on paper, Paper size: 31.8 x 24.1 cms / 12.5 x 9.5 ins , Hannah Wilke Collection & Archive, Los Angeles. © Marsie, Emanuelle, Damon, and Andrew Scharlatt/VAGA, New York/DACS, London

Maurice Marinot, Helene a l’hospital, 1959, pastel, encre de Chine et aquarelle sur papier

Jannis Kounellis, Greek, 1936-2017
Untitled (Death of Marat)
1975
Collage
22 ½ x 16 ½ x 3in (57.2 x 41.9 x 7.6cm)
Bequest of Robert H. Halff
2005.10

Untitled, Gaeta, 1997 by Cy Twombly
Unlike other kinds of addictions, anorexia disguises itself as virtue. The anorexic is a modern-day phrenologist, searching for saintliness and vice in the bone structure of strangers. She is at once insane, dying, and inhumane.

Fat chair by Joseph Beuys (1964) #conceptual art #art https://t.co/xkuDyATxs5 http://ift.tt/2gXK3I2

Cindy Sherman

Nancy Spero
Female Symbols I
1981
Handpainted collage on paper
painting collaged on paper
50.8 x 279.5 cm

Marlene Dumas

Hannah Wilke, Intra-Venus Face No. 25, March 29, 1992, 1992

Kiki SMITH
Nuremberg (République fédérale d’Allemagne), 1954
Sans titre
2010
Encre, crayon et crayon lithographique sur papier népal
267 x 218 cm

from Studying Hunger Journal by Bernadette Mayer