
MONA HATOUM, JARDIN PUBLIC (DETAIL), 1993, PAINTED WROUGHT IRON, WAX, AND PUBIC HAIR, 32 ½ X 15 ½ X 19 ¼ INCHES. COURTESY OF THE ARTIST. © MONA HATOUM. PHOTO: EDWARD WOODMAN

MONA HATOUM, JARDIN PUBLIC (DETAIL), 1993, PAINTED WROUGHT IRON, WAX, AND PUBIC HAIR, 32 ½ X 15 ½ X 19 ¼ INCHES. COURTESY OF THE ARTIST. © MONA HATOUM. PHOTO: EDWARD WOODMAN

Genevieve Cadieux, Sky/Body, 1992

The Ecstasy of St. Francis – El Greco. c.1580. Oil on canvas. 102 x 75 cm. Bishop’s Palace, Siedlce, Poland.

Kiki Smith’s Lilith, 1994

Sophie Calle: “Souci” (2007), Biennalen i Venedig, 2007. Foto: Linda Petersen

ANSELM KIEFER, Untitled, 2003, acrylic on lead. Lead-bound book
14 lead-sheets/ opened 24 single pages in total. 100 x 65 x 10 cm

Richard Prince, Upstate, 1995-99, Ektacolour photograph, 61 x 50.8 cm (24 x 20 in)
and
Richard Prince, Women, 2004, C-print. 68 x 51 cm. (26 ¾ x 20 in).

Kiki Smith, Nest, 503×352
Orpheus in Greenwich Village:
What if Orpheus,
confident in the hard-
found mastery,
should go down into Hell?
Out of the clean light down?
And then, surrounded
by the closing beasts
and readying his lyre,
should notice, suddenly
they had no ears?
–Jack Gilbert

Kiki Smith, Unknown (Woman with man in coffin), 2010, ink, pencil and lithographic crayon on Nepal paper, Courtesy Galerie Lelong — Photo Fabrice Giber